媒介记忆的“转场”与“转化”——基于抗战电影纪念馆的个案考察  

The"Transition"and"Transformation"of Media Memory

作　　者：邵鹏[1] 赵若邑 魏松昊 Shao Peng;Zhao Ruoyi;Wei Songhao

机构地区：[1]浙江工业大学人文学院,浙江杭州310023

出　　处：《传媒观察》2024年第7期88-97,共10页Media Observer

基　　金：国家社会科学基金重大项目“人工智能技术背景下算法传播的中国本土理论体系建构研究”(23ZD214);浙江省哲学社会科学规划之江青年学者专项课题“全球传播格局的变化、挑战与机遇”(24ZJQN091YB)的阶段性研究成果。

摘　　要：媒介塑造英雄,媒介传颂英雄,英雄事迹成为时代的坐标被人们所铭记,英雄精神被一代一代传承与弘扬。但是,当媒介所瞩目的“记忆强光”逐步走向边缘成为“记忆微光”时,那些过往的英雄记忆也在经历演变。本文以经典电影《地雷战》为研究个案,通过考察地雷战纪念馆,并深度访谈讲解员后发现,媒介记忆经过实体化的“转场”已经成为历史记忆的组成部分,并逐步演变为集体记忆代际传承和共享价值“转化”的中介,最终媒介的英雄记忆铸造了地缘共同体的精神气质,进而升华为有更深层次共识的精神共同体。因此,虽然媒介记忆的“强光”在岁月的磨砺中逐渐成为“微光”,但仍然是英雄叙事与在地经验的连接纽带,也是每代人接续奋斗、共创美好未来的力量源泉。Media create heroic images and celebrate heroes,whose great deeds become epochal markers remembered by people,and whose spirit is passed down through generations.When the"glare of memory"once spotlighted by the media gradually dims to a"glimmer of memory,"those heroic memories also evolve.In the case study of the classic Chinese movie Landmine Warfare(1963),this research found,through in-depth interviews with docents at the Landmine Warfare Museum,that media memory,through its substantialized transition,has become an integral part of historical memory.It has gradually evolved into an intermediary for the intergenerational inheritance of collective memory and the transformation of shared values.The study also found that heroic memory in media helps shape the ethos of the geo-community,which then sublimates into a spiritual community of higher and deeper consensus.Therefore,although tempered by time into the"glimmer of memory,"the"glare of memory"remains a crucial link connecting heroic narratives and local experiences,and serves as a source of strength for generations to continue building the Chinese nation for a better future.

关 键 词：抗战电影 媒介记忆 英雄 记忆之场 精神共同体 

分 类 号：G206[文化科学—传播学]