公共文化场馆经营的观念禁锢与市场突破  

Conceptual Constraints and Market Breakthroughs in the Operation of Public Cultural Venues

作　　者：丛晓煜 Cong Xiaoyu(School of Art,Shandong University,Shandong,Jinan 250100,China)

机构地区：[1]山东大学艺术学院,济南250100

出　　处：《上海大学学报（社会科学版）》2024年第4期115-123,共9页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社会科学基金艺术学重大项目(23ZD02)。

摘　　要：在公共文化场馆的经营过程中,虽然中国国家政策并不排斥市场元素的介入,但配套经济制度与有效激励措施的不足,导致社会上较为普遍地对市场元素介入公共文化服务的合理性存在疑问,这也在很大程度上抑制了中国公共文化场馆开展创新性服务的积极性。通过对国内外类似现象的理论分析,以及对典型案例的对比研究,可以发现,这些困境都是在观念的禁锢与实践的因循中逐渐形成的,也必然需要在发挥中国特色社会主义制度优势的基础上,通过观念的更新与实践的突破来实现问题的解决和制度的完善。In the process of operating public cultural venues in China,although national policies do not exclude the involvement of market elements,the lack of supporting economic systems and effective incentive measures has led to widespread skepticism in society about the rationality of market elements in public cultural services.This has,to a large extent,constrained the enthusiasm of public cultural venues to provide innovative services.Through theoretical analysis of similar phenomena domestically and internationally,as well as comparative studies of typical cases,it can be found that these dilemmas have arisen from the confinement of outdated concepts and traditional practices.Consequently,to solve these issues and improve the system,it is essential to leverage the advantages of the system of socialism with Chinese characterisics and achieve breakthroughs through conceptual updates and practical innovations.

关 键 词：公共文化场馆 经营理念 观念禁锢 市场突破 

分 类 号：F203[经济管理—国民经济]