论柳宗元情感书写中“怨”的遮蔽与升华——以《永州八记》为例  

On the Concealment and Sublimation of“Rievance”in Liu Zongyuan’s Emotional Writing:A Case Study of The Eight Memoirs of Yongzhou

作　　者：喻佳鹏 YU Jiapeng(School of Literature Journalism and Communication,Qingdao University,Qingdao 266071,China)

机构地区：[1]青岛大学文学与新闻传播学院,山东青岛266071

出　　处：《广西科技师范学院学报》2024年第2期70-76,共7页Journal of Guangxi Science & Technology Normal University

摘　　要：“怨”是古代文人书写较为常见的情感之一,也是其创作的内驱力之一。在中国文学批评史中,从先秦开始就有人探索这种情感与作家创作之间的关系。发展到唐朝,柳宗元对此进一步深化,他提出创造主体要将自己内在的这种情感“呻呼踊跃以求知于世”。同时,在文学创作的过程中,他将这种观点付诸实践。柳宗元被贬期间,因人生的苦楚与景观的偏狭带来的“怨”郁结在他心中,他通过临水自照和以乐转戚的方式将这种情感遮蔽掩盖起来,最后用议论点化的方式将内在的愁绪外化为人生的思索。柳宗元在情感书写的过程中对待“怨”的独特抒发路径在后世产生了一系列的回响。“Grievance”,a universal human emotion,is also the driving force behind a writer’s creativity.In the history of Chinese literary criticism,some people have explored the relationship between this emotion and writers’creation since the pre-Qin Dynasty.In the Tang Dynasty,Liu Zongyuan further deepened the relationship by proposing the principle that the subject of creation should“moan and shout to seek knowledge in the world”.At the same time,in literary creation,he put this view into practice.During the period of Liu’s deportation,the“grievances”brought about by the suffering of life and the narrowness of the landscape were concentrated in his heart.Concealing and covering up this emotion through self-portrait and turning relatives with happiness,he then finally externalized his inner sadness into the contemplation of life in thesis pointing out.Liu’s unique path of expression of“grievances”has produced a series of repercussions in later generations.

关 键 词：柳宗元 情感书写 怨 《永州八记》 

分 类 号：I207.22[文学—中国文学]