论冯梦龙拟话本中的“以诗带话”及其文学史意义--以《拗相公饮恨半山堂》为中心  

On Feng Menglong's Nihuaben Novels“Poetry Drives the Story”and Its Literary History Significance--Centered On Niu Xiang Gong Yin Hen Ban Shan Tang

作　　者：梁智谦 Liang Zhiqian

机构地区：[1]郑州大学文学院

出　　处：《励耘学刊》2024年第1期147-160,M0007,共15页

基　　金：国家社会科学基金一般项目“靖康文史交叉研究”,项目编号:17BZW093。

摘　　要：《拗相公饮恨半山堂》是一部讲述王安石辞相赴金陵沿途见闻的拟话本小说。由冯梦龙改编自明初《钟离叟妪传》,吸纳了其题壁诗,并依照话本小说体制补全了篇首诗、入话诗与煞尾诗,构成了完整的诗歌叙事结构。冯梦龙将正话中的题壁诗分散,既丰富了故事内容,又能起到转换叙事空间的功用,煞尾诗的劝诫思想则与史传中的论赞一脉相承。这种以诗歌为叙事之骨带动故事发展的叙事模式具有“以诗带话”的意味。探讨冯梦龙拟话本的编创过程不仅有助于了解其知识素养与文学观念,也有助于展现明代复古运动的多维面相,具有重要的文学史意义。Niu Xiang Gong Yin Hen Ban Shan Tang is a Nihuaben novel about Wang Anshi's journey to Jinling after his resignation as the prime minister.It was adapted by Feng Menglong from the Zhong Li Sou Yu Zhuan in the early Ming Dynasty,and absorbed its wall-inscribed poems.According to the system of the vernacular novel,he completed the poem of prelude,the poem of foreword and the poem of the ending,and formed a complete and narrative structure of poetry.Feng Menglong dispersed the wall-inscribed poems in the main story,which not only enriched the content of the story,but also played the role of changing the narrative space.The exhortation thought of the poem in the end is in the same vein as the LunZan in the historical biography.This kind of narrative mode,which takes the poetry as the bone of narrative and drives the development of the story,has the meaning of“poetry drives the story”.To explore the process of Feng Menglong's imitating the vernacular novel is not only helpful to understand his knowledge accomplishment and literary concept,but also to show the multi-dimensional aspect of the movement of literature renaissance of Ming Dynasty,which is of great significance in literary history.

关 键 词：《拗相公饮恨半山堂》 冯梦龙 拟话本 “以诗带话” 

分 类 号：I207.41[文学—中国文学]