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作 者:张之为 ZHANG Zhi-wei(School of Literature,Yunnan University,Kunming 650091,China)
机构地区:[1]云南大学文学院,昆明650091
出 处:《北京舞蹈学院学报》2024年第2期48-56,共9页Journal of Beijing Dance Academy
基 金:国家社科基金西部项目“基于日韩汉籍的7~13世纪中国音乐与文学关系研究”(项目编号18XZW011)阶段性成果。
摘 要:《高丽史·乐志》“唐乐”以表演台本形式存录了源自宋廷的五套歌舞《献仙桃》《寿延长》《五羊仙》《抛球乐》《莲花台》,其乃宋代宫廷音乐演艺的直观展现。关于五套歌舞的性质,向有大曲、队舞之歧说,这说明学界对二者特性、差异的认知尚不清晰。整合中韩两国之文献、图像,互相比证,宋代队舞、大曲在音乐结构与表演形式上均有显著区别,传入高丽的《献仙桃》等五套歌舞可落实为队舞。同时,文章阐明学界最常利用的《鄮峰真隐漫录》第四十五、四十六卷“大曲”,体制糅杂,实含队舞,并分析其杂收之原因,廓清唐宋时期大曲、队舞的演变与概念变化。The five music and dance performances of“Tang Music”Dedication of Immortal Peach,Longevity,Five Goat Immortals,Music of Ball⁃Tossing,and Lotus Platform recorded in The History of Goryeo·Music were derived from the Song Dynasty.They are a visual representation of the music performance of the Song royal court.There are academic debates between Daqu and team dance concerning the categories of these five performances,implying that the academic understanding of the characteristics and differences between the two is still unclear.By comparing the literature and images from China and South Korea,there were significant differences in the music structure and performance form between team dance and Daqu of the Song Dynasty.The five performances introduced to Goryeo such as Dedication of Immortal Peach can be classified as the team dance.It also clarifies that the frequently cited“Daqu”in the 45th and 46th volumes of Mao Feng Zhen Yin Man Lu is a mixed system that includes the team dance.It also analyzes the reasons for its miscellaneous inclusion and elucidates the evolution and conceptual changes of Daqu and team dance during the Tang and Song Dynasties.
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