1949年以来广西民族舞蹈发展的历史叠写  

Historical Writing of Guangxi Ethnic Dance Development Since 1949

作　　者：张占敏 ZHANG Zhan-min(College of Dance,Guangxi Arts University,Nanning 530022,China)

机构地区：[1]广西艺术学院舞蹈学院,南宁530022

出　　处：《北京舞蹈学院学报》2024年第2期73-84,共12页Journal of Beijing Dance Academy

基　　金：2022年度广西艺术学院研究生师生科研创作重点项目“广西壮族舞蹈史料汇编”(项目编号GCRC201715)阶段性成果。

摘　　要：自1949年以来,广西民族舞蹈的历史研究经历了20世纪50-60年代的“少数民族艺术调查”、80-90年代的“中国民族民间舞蹈集成”以及21世纪以来的“非物质文化遗产保护”三个发展时期。20世纪50-60年代被调查的舞蹈逐渐成为地方性知识的一部分;80-90年代的“集成”把民族舞蹈更具体地写入历史;在21世纪的非遗化进程中,广西民族舞蹈作为一种地方性知识被再次普查与记录,以上三个时期的广西民族舞蹈呈现出历史叠写的过程,并形成以民族舞蹈田野调查为主的研究方法与“舞蹈民族志”的书写范式。广西民族舞蹈的历史叠写不仅是一种书写范式的构建,也是艺术的再实践与再生产过程,对推进当代中国民族舞蹈学建设具有重要意义。Since 1949,the historical study of Guangxi ethnic dance has undergone three significant periods:the“ethnic minorities art survey”during the 1950s and 60s,the“compilation of Chinese ethnic and folk dance”during the 1980s and 90s,and the“intangible cultural heritage protection”since the 21st century.The dances investigated in the 1950s and 60s gradually became a part of local knowledge.The“compilation”in the 80s and 90s more concretely incorporated ethnic dance into history.During the 21st century’s heritage protection process,the Guangxi ethnic dance was re⁃censured and recorded as a form of local knowledge,achieving a transformation in identity and value from local to national.These three periods exhibit a process of historical superscription for Guangxi ethnic dance,forming a research methodology centered on field investigations and the writing paradigm of“dance ethnography”.The historical rewriting of Guangxi ethnic dance is not only a construction of a writing paradigm but also a process of artistic re⁃practice and reproduction,which is significant for the advancement of contemporary Chinese ethnic dance studies.

关 键 词：广西民族舞蹈 叠写 历史书写 民族舞蹈学 

分 类 号：J709[艺术—舞蹈]