共和与帝国:北美殖民地对加图与恺撒形象的接受  

Republic and Empire:The Acceptance of the Images of Cato and Caesar by North American Colonies

作　　者：袁先来[1] 郑荃 YUAN Xian-lai;ZHENG Quan(College of Literature,Northeast Normal University,Changchun 130024,China)

机构地区：[1]东北师范大学文学院,吉林长春130024

出　　处：《东北师大学报（哲学社会科学版）》2024年第4期129-137,共9页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：国家社会科学基金一般项目(18BWW058)。

摘　　要：在与宗主国之间危机逐渐加深的北美殖民地,艾迪生的《加图,一部悲剧》无疑是最受欢迎的戏剧,带动了加图与恺撒形象的流行。从加图与恺撒形象接受的历程来看,先后出现了殖民地辉格党人以反抗恺撒的加图形象来表达对帝国臣民身份的忧惧,苏沃尔将华盛顿与恺撒形象予以结合以展望大陆帝国的前景,华盛顿本人通过偶像化加图行为来操演恺撒之术等典型现象。在对加图与恺撒形象的接受中出现的对立与扭转,呈现出北美殖民地对流行性的古典形象所进行的持续性的分解和重塑,以适应其自身不断酝酿的身份定位。Joseph Addison s Cato is undoubtedly the most popular play in the North American colonies where the crisis with Suzerain is deepening,promoting popularize the images of Cato and Caesar.In the process of image acceptance of Cato and Caesar,the colonial Whigs firstly expressed their fear of being imperial subjects through the image of Cato who rebelled against Caesar,then Sewall combined the images of Washington and Caesar to look ahead the future of the Continental Empire,while Washington himself performed Caesar art by idolizing Cato,and so on typical phenomena.The opposition and reverse in the acceptance of the images of Cato and Caesar show the continuing deconstruction and reconstruction of the classical image of popularity by the North American colonies,in order to adapt to their own constantly brewing identity positioning.

关 键 词：加图形象 恺撒形象 帝国 共和 

分 类 号：I712[文学—其他各国文学]