论黄庭坚《竹枝词》的创作及其《竹枝词》史的建构  

On Huang Tingjian’s Composition of Bamboo Branch Lyrics and His Construction of the History of Bamboo Branch Lyrics

作　　者：刘青海 Liu Qinghai(Research Institute of Chinese Culture,Beijing Language and Culture University,Beijing 100083,China)

机构地区：[1]北京语言大学中华文化研究院,北京100083

出　　处：《北京大学学报（哲学社会科学版）》2024年第4期45-53,共9页Journal of Peking University(Philosophy and Social Sciences)

基　　金：教育部哲学社会科学研究重大课题“中华诗词的语言艺术原理及其历史生成机制研究”(18JZD021)。

摘　　要：北宋诗人黄庭坚对《竹枝词》有特别嗜好,先后创作四组《竹枝词》,虽然仍可歌,但就艺术风格而言,则奇变横生,已经由乐章体转变为徒诗体。黄氏《竹枝词》仍然继承唐代《竹枝词》抒情激越的特点,与后世专写方俗、主观抒情性弱化、风格多趋平顺的《竹枝词》很不一样。从评论方面来看,黄庭坚对《竹枝词》有较多的叙述与评论,尤其是他对刘禹锡《竹枝词九首》创作时地、词史地位、审美价值的相关论述,实可视作《竹枝词》史的第一篇专论。Huang Tingjian(黄庭坚),a poet of the Northern Song Dynasty,had a special fondness for bamboo branch lyrics(竹枝词),and successively composed four groups of bamboo branch lyrics.Though they were then still singable,they were overflowing with variations in terms of artistic style,which had been transformed from musical style(乐章体)to unmusical style(徒诗体).Huang’s bamboo branch lyrics still maintained the lyrical and passionate characteristics inherited from the bamboo branch lyrics of the Tang Dynasty,and greatly differed from the later-generation bamboo branch lyrics that specially treated local customs with weakening subjective lyricism,and plainer and smoother styles.In terms of criticism,Huang Tingjian made a lot of narrations and comments about bamboo branch lyrics.Especially,his related discussion on Liu Yuxi's(刘禹锡)Nine Bamboo Branch Lyrics(《竹枝词九首》)concerning the time and place of their composition,their status in the history of lyrics,and their aesthetic value,can be regarded as the first thesis on the history of bamboo branch lyrics.

关 键 词：黄庭坚 刘禹锡 《竹枝词》 《竹枝词》史 

分 类 号：I206.2[文学—中国文学]