数字批评之批评  

The Critique of Digital Criticism

作　　者：胡行舟 Hu Xingzhou

机构地区：[1]厦门大学中国语言文学系,厦门361005

出　　处：《中国文学批评》2024年第3期179-188,192,共11页Chinese Journal of Literary Criticism

基　　金：中央高校基本科研业务费专项资金资助项目“后人类主义与中国经验”(20720241043)阶段性成果。

摘　　要：“数字批评”是以计算建模、语料统计、量化分析、制表绘图等数字方法进行的文学批评和研究。中国当前的数字批评存在着三个最主要的问题:一是缺乏有效的问题意识,未能在既有人文学术的积淀之上提取出有价值的问题,仅靠数据分析虚晃一枪;二是着迷于信息和统计的可视化呈现,却未将其融入完整的推理链条、导向有针对性的结论;三是对数字工具的化约倾向缺乏反思,对其所搭造的人类视角的构拟性和临时性疏于审视。在新兴技术深刻改变了人类生存形式的时代,在更新范式、不断纳入他异性因素以迎接新挑战的后人文学中,只有调动拔云见日的阐释才能,召唤出一种集合众长的能动和批判的后人文主体,才能使我们穿过信息迷雾。在超级阐释者和数字囚徒之间,我们必须作出选择。Presently,digital criticism in China faces three primary issues:first,a lack of effective problem awareness,failing to extract valuable questions from the accumulation of humanities scholarship,and merely skimming the surface with data analysis;second,an obsession with the visual presentation of information and statistics without integrating it into a complete chain of reasoning towards targeted conclusions;third,a lack of reflection on the reductive tendencies of digital tools and insufficient scrutiny of the constructed and temporary nature of the human perspective they offer.Only hermeneutic abilities that clear the fog can summon a dynamic and critical post-humanist subject that combines our various strengths,enabling us to navigate through the haze of information.

关 键 词：数字批评 数字人文 远读 量化 超级阐释者 

分 类 号：I206[文学—中国文学]