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作 者:艾翔[1] AI Xiaing(Institute of Literature and Culture Research,Tianjin Academy of Social Science,Tianjin 300191,China)
机构地区:[1]天津社会科学院文学与文化研究所,天津300191
出 处:《河北民族师范学院学报》2024年第3期40-46,共7页Journal of Hebei Normal University For Nationalities
基 金:2022年度天津市哲学社会科学规划项目“梁斌评传”(TJZW22-002)。
摘 要:梁斌研究一直是“十七年”文学研究中的重要方面,迄今为止出现过三部传记,带有鲜明的时代印记,是考察梁斌研究和文学史发展的重要参照物。其中《梁斌评传》体现出了1980至1990年代转型期学术研究的诸多特点,比如社会历史方向的视角,以及左翼文学的参照背景等。《解读梁斌》则偏向1990年代兴起的文化散文的形式,用更具个人化的叙述体察梁斌作为一个普通人的情感体验,并且大量的插图令其文献功能并未衰弱。《梁斌传》则是唯一一部没有与传主接触而写成的传记,使用了大量第三方叙述,特别是挖掘了不少新世纪剧社时期的史料,具有重要文学史价值。Liang Bin’s research has always been an important aspect in the literary research in the“seventeen years”.So far,there have been three biographies with distinct imprint of the times,which is an important reference for investigating Liang Bin’s research and the development of literary history.Among them,The Biography of Liang Bin embodies many characteristics of academic research in the transitional period from the 1980s to 1990s,such as the perspective of social and historical direction and the reference background of left-wing literature.On the other hand,Interpretation of Liang Bin tends to be in the form of cultural prose that rose in the 1990s,with a more personal narrative to observe Liang Bin’s emotional experience as an ordinary person,and a large number of illustrations have not weakened its documentary function.The Biography of Liang Bin is the only biography written without contact with the biography owner,which uses a lot of third-party narration,especially excavates a lot of historical materials of the drama club in the new century,and has important literary history value.
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