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作 者:张炜[1,2] Zhang Wei(School of History,University of Chinese Academy of Social Sciences/Institute of World History,CASS,Beijing100101)
机构地区:[1]中国社会科学院大学历史学院,北京102488 [2]中国社会科学院世界历史研究所,北京100101
出 处:《山东师范大学学报(社会科学版)》2024年第3期82-94,共13页Journal of Shandong Normal University(Social Sciences)
基 金:国家社科基金项目“17世纪英国社会舆论与政治制度发展演进研究”(16BSS043)的阶段性成果。
摘 要:英格兰内战时期的保王派政治民谣构成了议会派主流话语之外的另一种民间表达,也是长期被忽略的一种政治论述。与议会派提出的自由、民主、人民主权等主流话语针锋相对,这一时期大量保王派政治民谣通过揶揄、嘲讽等修辞手段,系统性地解构了议会派的上述主张。它们不仅揭示了议会派话语背后的经济利益,而且反对议会以投票方式剥夺民众财产和自由的做法,进而表达了对破坏既有社会秩序者的批评和厌恶态度。此类民谣的叙述框架普遍延续了时人熟悉的“君臣模式”,即议会派及其领袖人物在时局变动中并未开创出对民众有利的新制度,而只是成为新君主。同时,这些民谣对议会主权的消极认知也构成了这一时期英格兰制度文化的重要面向。大量保王派政治民谣的存在表明,议会派在战场之外承受着巨大的民间舆论压力,这些反对议会的民谣是当时出现的暂时性公共领域的重要组成部分。The royalist political ballads during the English Civil War represent another folk expression beyond the mainstream discourse of the parliamentarians, and are also a political discourse that has been neglected for a long time. In contrast to the mainstream discourse of liberty, democracy and popular sovereignty proposed by the parliamentarians, a large number of royalist political ballads systematically deconstruct the above propositions of the parliamentarians through rhetorical means, such as satire and mockery. These ballads not only reveal the economic interests behind the parliamentary discourse, but also condemn the parliamentary practice of depriving people of their property and liberty by using voting, expressing their criticism and disgust towards those disrupting the existing social order. The narrative framework of such ballads generally follows the familiar “monarch-subject model, ” in which parliamentarians and their leaders failed to innovate new institutions that benefited the people, but simply became new monarchs. At the same time, the negative perspectives on parliamentarism in these political ballads also shed light on a crucial facet of English institutional culture in this period. The existence of a large number of royalist political ballads indicates that the parliamentarians were under great pressure from popular opinion beyond the battlefield, and these anti-parliamentary ballads were an important part of the evanescent public sphere that emerged at that time.
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