归义军时期敦煌石窟中的纪功现象研究——以供养人像中抱弓侍从为例  

A Study on the Recording of Merit in Dunhuang Caves from the Gui-yi-jun Regime Period--A Case Study on Attendants Holding Bows in Ilustrations of Donor Figures

作　　者：杨文博 YANG Wenbo(Institute of Archaeology,Dunhuang Academy,Dunhuang 736200,Gansu)

机构地区：[1]敦煌研究院考古研究所,甘肃敦煌736200

出　　处：《敦煌研究》2024年第3期63-74,共12页Dunhuang Research

基　　金：国家社会科学基金重大项目“敦煌石窟文献释录与图文互证研究”(21&ZD218)。

摘　　要：莫高窟第85、100、121、196、203、205、244、397、401、427、444、454窟,榆林窟第12、16、19、34窟,在甬道南、北壁或其他位置绘有索勋、曹议金以及李圣天等供养人像。这些供养人像身后绘抱弓箭的侍从。侍从所抱的弓箭应是由皇帝赏赐。供养人像身后绘制抱弓箭的侍从,其实是对供养人功绩的记述和彰显。抱有弓箭的侍从出现在归义军时期敦煌石窟的供养人像中具有纪功的性质。In caves 85,100,121,196,203,205,244,397,401,427,444 and 454 of the Mogao Grottoes,and in caves 12,16,19 and 34 of the Yulin Grottoes,the portraits of cave donors that include known historical figures such as Suo Xun,Cao Yijin and Li Shengtian(the King of Khotan)are painted either on the south or the north wall of the corridors,or in other similar positions,and are often depicted with attendants holding bows and arrows behind them.The bows and arrows these figures hold are likely rewards given to them by the emperor,and their presence in the caves can be seen as representing a visual record of the donors'merits.

关 键 词：归义军时期 敦煌石窟 抱弓侍从 纪功 

分 类 号：K879.21[历史地理—考古学及博物馆学]