长庆血晕妆在动画角色设计中的应用研究——以动画短片《鹅鹅鹅》为例  

Research on the Application of Changqing Blood Halo Makeup in Animation Character Design-Taking the Animated Short Film Goose Mountain as an Example

作　　者：彭钰涵 PENG Yuhan(Academy of Fine Arts,Jishou University,Zhangjiajie 427000,Hunan,China)

机构地区：[1]吉首大学美术学院,湖南张家界427000

出　　处：《玩具世界》2024年第6期84-86,共3页Toys World

基　　金：湖南省教育科学“十四五”规划2021年度课题“‘课程思政’背景下三维动画课程教学改革与实践”(ND211302)的研究成果。

摘　　要：民族文化是动画艺术取之不竭的创作源泉,是动画造型设计获取丰富养分的土壤。动画短片《鹅鹅鹅》凭借对唐朝长庆血晕妆的提炼和应用,塑造了具有鲜明民族特色的现代动画角色形象,为中国动画的角色设计提供了发展思路。此外,在设计思维上打破了传统的界限,使作品在视觉效果上呈现丰富层次和深邃意境。文章在剖析长庆血晕妆产生的历史背景的同时,归纳总结其应用价值,并以动画短片《鹅鹅鹅》为例,分析其如何将长庆血晕妆应用于动画角色设计中,以求进一步探索国产动画角色设计的新思路、新方法。National culture is the inexhaustible source of animation art creation,and is the soil for animation modeling design to obtain rich nutrients.The animated short film Goose Mountain has created a modern animation character image with distinct national characteristics by refining and applying Changqing blood halo makeup in the Tang Dynasty,providing development ideas for the character design in Chinese animation.In addition,it breaks traditional boundaries in design thinking,making works present rich levels and profound artistic conception in the visual effect This paper analyzes the historical background of Changqing blood halo makeup,summarizes its application value,and takes the animated short film Goose Mountain as an example to analyze how to apply Changqing blood halo makeup to animated character design,in order to further explore new ideas and new methods for domestic animated character design.

关 键 词：长庆血晕妆 动画角色设计 动画短片 《鹅鹅鹅》 中国传统文化 

分 类 号：J954[艺术—电影电视艺术]