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作 者:陈允锋 CHEN Yunfeng(Department of Chinese Language and Literture,Hongkong Shue Yan University,Hongkong 999077,China)
机构地区:[1]香港树仁大学中国语言文学系,中国香港999077
出 处:《山西大学学报(哲学社会科学版)》2024年第4期53-62,共10页Journal of Shanxi University(Philosophy and Social Science Edition)
摘 要:刘勰《文心雕龙·征圣》篇提出的“秀气成采”说,在思路上承接《原道》篇“道—圣—文”相互统一的观念,强调人是天地灵秀之气的集中体现者,并自然地呈示斐然之文采。刘勰以浩瀚无垠的宇宙作为人生价值、立言不朽的宏阔背景,这种思想超越了《物色》篇“江山助人”说的地理范畴,兼顾“造化赋形”“禀性五才”在文章写作中的重要性,确立了以“天—地—人”三才合一为核心的“文学地理观”,渊源有自,影响深远。The concept of“Xiuqi Chengcai”(elegance radiating charm)proposed by LIU Xie in the chapter Zhengsheng of The Literay Mind and the Carving of Dragons conceptually follows the unified notion of Tao-Sheng-Wen from the chapter of Yuan Dao.It emphasizes that humans are the concentrated embodiment of the essence of natural elegance and splendor,naturally displaying their literary grace.LIU Xie situates the value of human life and the immortality of literary expression within the vast expanse of the cosmos.This perspective transcends the geographical scope of“landscape aiding man”argument in the chapter Wuse,taking into account the importance of natural endowment and inherent talents in the theory of literary composition.It establishes a literary geography perspective centered on the triad of heaven-earth-human,which has profound origins and far-reaching impact.
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