《三国志通俗演义》刘备托孤叙事分析  

A Narrative Analysis of LIU Bei Entrusting His Son in Romance of the Three Kingdoms

作　　者：吴亮银 WU Liangyin(School of Literature,Yunnan University,Kunming,Yunnan 650091,China)

机构地区：[1]云南大学文学院,云南昆明650091

出　　处：《内江师范学院学报》2024年第7期34-42,共9页Journal of Neijiang Normal University

基　　金：云南大学第十四届研究生科研创新项目人文社科类重点项目(KC-22221069)。

摘　　要：“刘备托孤”被传颂为“君臣有义”的典范故事,一定程度上得益于《三国志通俗演义》叙事话语的推动。作为历史与虚构叠合视域下的叙事文本,《三国志通俗演义》中的“刘备托孤”具备虚实相生、紧凑畅达的叙事特色。实际上,托孤叙事贯穿全书,而“刘备托孤”作为这一故事线的高潮,呈现出身处三维时空体中的叙事特性:仪式性、表演性与阻断性。叙事意识形态于此无孔不入,突出表现为对诸葛亮的形象塑造,而这种刻意存在令人诟病的可能,引发关于新时代如何讲好三国故事的思考。The story of LIU Bei Entrusting His Son has been praised as an exemplary tale of loyalty between a ruler and his subjects.To some extent,it is owing to the narrative discourse of Romance of the Three Kingdoms.As a narrative text in the overlap of history and fiction,the story in the historical novel with compact and coherent narration blends reality and fiction perfectly.In fact,the theme of the son entrusting runs through the entire novel.LIU Bei entrusting his son as the climax of this story line presents narrative characteristics of being in a three-dimensional time and space which are ceremonial,performative,and obstructive.The narrative ideology permeates throughout,particularly highlighted the shaping of the image of ZHUGE Liang.Consequently,this deliberate presence of the narrative ideology leads to some possible criticism.It is necessary to reflect how to tell the story of the Three Kingdoms in the new era.

关 键 词：刘备托孤 《三国志通俗演义》 叙事特色 叙事意识形态 

分 类 号：I207.413[文学—中国文学]