吴性栽戏曲经营活动初探  

A Preliminary Study on Wu Xingzai's Business Activities in the Field of Traditional Chinese Theatre

作　　者：张华 黄静康 Zhang Hua;Huang Jingkang

机构地区：[1]西南大学新闻传媒学院,重庆400715

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第4期121-126,I0003,共7页JOURNAL OF NANJING UNIVERSITY OF THE ARTS:Music & Performance

摘　　要：通过考察吴性栽投资剧院、打造明星、组织演出等多层面的戏曲经营活动,可以发现,作为管理者吴氏已形成比较系统的戏曲生产与管理理念,对周信芳孤岛时期“翻红”和战后“程梅对打”等戏曲史事件产生了关键性影响。这种影响甚至进一步体现在彼时戏曲电影的生成模式和主要形态中。以吴性栽为代表的“非艺术生产者”对艺术生产的影响不可忽视,对戏曲艺术及戏曲电影的研究均可由此另辟思路。Through the investigation of Wu Xingzai's multi-dimensional business activities in the field of traditional Chinese theatre,including investing in theatre,promoting stars,and organizing performances,it can be observed that Wu as a manager has formed a relatively systematic philosophy for theatre production and management.This philosophy had a significant impact on the historical events such as Zhou Xinfang’s resurgence in popularity during 1937—1941 and the rivalry between Cheng and Mei after the war.Furthermore,it even influenced the generative mode and the main form of films of traditional Chinese theatre at that time.The influence of non-art producers represented by Wu Xingzai on artistic production cannot be overlooked,and it hence introduces a new approach for research on the art and films of traditional Chinese theatre.

关 键 词：吴性栽 戏曲活动 经营理念 非艺术生产者 

分 类 号：J809[艺术—戏剧戏曲] J819