大一统的诗学表达:以由云龙《定庵诗话》为考察中心  

Poetic Expression of National Unification:Centered on the Study of You Yunlong’s Ding An Poetry Criticism

作　　者：李潇云 娄鹏宇 LI Xiaoyun;LOU Pengyu(College of Ethnic Cultures,Yunnan Minzu University,Kunming,Yunnan Province 650031)

机构地区：[1]云南民族大学民族文化学院,云南昆明650504

出　　处：《楚雄师范学院学报》2024年第4期31-37,共7页Journal of Chuxiong Normal University

基　　金：云南省哲学社会科学创新团队“中华民族共同体意识视野下少数民族文学经典研究”(2023CX08);云南民族大学民族文化学院科研创新项目“大一统思想与云南少数民族地区国家认同研究”。

摘　　要：大一统思想对古今中国影响深远,它是中华民族共同体政治生活的实践经验和历史反思,也是政治秩序合法性的关键来源。从结构上看,大一统或共同体意识包含了意义、实践和审美三种范式。刚性化的实践通过诗教和乐教的内在转换,就像一个强力旋涡把近代云南学者卷进中华民族共同的文化记忆之中,而由云龙的《定庵诗话》则是其中的经典美学样本。值得注意的是,诗话体现的不是一种“静观式”的诗学知识观,而是指向“知识之后”的道德和政治实践。诗话一方面呈现了大一统的诗学表达源自中华民族共同的文化记忆;另一方面也呈现了政治秩序是伦理和德性之人向善的天然结果。The idea of national unification has had a profound impact on ancient and modern China.It is the practical experience and historical reflection of the political life of the community for the Chinese nation,and also a key source of legitimacy for political order.Structurally,the consciousness of unification or community encompasses three paradigms:meaning,practice,and aesthetics.The rigid practice,through the internal transformation of poetry and music education,is like a powerful vortex that draws modern Yunnan scholars into the common cultural memory of the Chinese nation,and You Yunlong’s book Ding An Poetry Criticism is a classic aesthetic sample.It is worth noting that poetic discourse does not reflect a“static”view of poetic knowledge,but rather points to moral and political practice“after knowledge.”On the one hand,the book presents a poetic expression of national unification derived from the common cultural memory of the Chinese nation and,on the other hand,it demonstrates that political order is a natural result of ethical and moral individuals seeking goodness.

关 键 词：大一统 诗学 《定庵诗话》 宗宋 

分 类 号：I207.22[文学—中国文学]