翁同龢金石书画题跋中的“政治形象”  

The"Political Image"in Weng Tonghe's Inscriptions on Epigraphy,Calligraphy,and Painting

作　　者：宋玖安 Song Jiu'an

机构地区：[1]山东工艺美术学院造型艺术学院

出　　处：《美术观察》2024年第8期57-60,共4页Art Observation

摘　　要：作为晚清政治人物的翁同龢,亦是金石书画的大藏家,在近代鉴藏史上有重要地位。观其题跋文字,每能结合自身经历来书写,宦迹沉浮、关心民瘼、感慨国事之情皆寓其中,读来可感可敬,这些文字勾勒出了翁同龢的“政治形象”。本文试以数通题跋为例,透过文字循其本事,论析其旨趣与感发。在清末、民国两次官方所修的翁同龢传记中,涉及翁同龢身后“政治形象”的“再写”,对其题跋文字亦有所参酌。Weng Tonghe,a prominent political figure in the late Qing dynasty,was also a major collector of epigraphy,caligraphy,and painting,holding a significant position in the history of modern connoisseurship.His inscriptions often reflect his personal experiences,capturing the ups and downs of his official career,his concern for people's welfare,and his reflections on national affairs,making his writings both moving and respectable.These inscriptions collectively portray Weng Tonghe's"political image."This paper examines several examples of his inscriptions,analyzing the context,purpose,and inspiration through his words.Additionally,the posthumous rewriting of Weng Tonghe's political image in the official biographies compiled during the late Qing and Republican period also takes his inscription texts into accounte.

关 键 词：翁同龢 题跋 政治形象 

分 类 号：J212[艺术—美术]