通态性视域下天津五大道风景生成的文化逻辑研究  

Research on the Cultural Logic of Landscape Generation of Tianjin Fifth Avenue from the Perspective of Tonality

作　　者：洪慧君 周延伟 Hong Hujun;Zhou Yanwei(School of Architecture and Art Design,Hebei University of Technology,Tianjin 300132,China)

机构地区：[1]河北工业大学建筑与艺术设计学院,天津300132

出　　处：《艺术与设计（理论版）》2024年第8期66-69,共4页Art and Design

基　　金：2021年度河北省高等学校人文社会科学研究项目资助青年基金项目“遗产旅游景观设计的文化逻辑研究——以五大道为例”(项目编号:SQ2021165)(项目编号:HB21-QN018)阶段性成果。

摘　　要：天津市五大道是一个具有百年风云的历史文化街区,从殖民地时期的英国租界到今天的文旅名胜,其空间意象经历了从被排斥到被接纳,再到被宣扬的转变,这也使得五大道在当今的风景生成成为了一个有趣的话题。通态性作为一种逻辑视角,其核心观点认为风景的形成是介于主客观之间的一种认作关系,即基于主客观因素的综合考量将某物认作为风景。以此视角介入五大道风景生成的研究可知,五大道之所以在当今被认作为风景,并不仅仅是历史演进的直接产物,而是当下的社会生态、政治权力、商业资本等主观因素对其区域规划、空间设计、视觉审美等客观存在进行建构和重新阐释的过程。Tianjin Fifth Avenue is a century-old historical and cultural district,from the British Concession in the colonial period to today's cultural tourism attractions,its spatial image has undergone a transformation from being excluded,to being accepted,and then to being promoted,which also makes the Five Avenues in today's landscape generation an interesting topic.As a logical perspective,the core view of tonality is that the formation of scenery is a recognition relationship between subjectivity and objectivity,that is,based on the comprehensive consideration of subjective and objective factors,something is recognized as a landscape.From this perspective,it can be seen that the reason why the Five Avenues are recognized as landscapes today is not only a direct product of historical evolution,but a process of constructing and reinterpreting the objective existence of its regional planning,spatial design,visual aesthetics and other objective factors such as current social ecology,political power,and commercial capital.

关 键 词：通态性 天津五大道 风景 

分 类 号：G112[文化科学] J59[艺术—艺术设计] TU984[建筑科学—城市规划与设计]