知觉体验与游牧空间——再读斯蒂文·霍尔的芬兰现代艺术中心  

Perceived Experience and Nomadic Space:Experience KIASMA in Finland of Steven Holl

作　　者：胡清波 苏腾飞 Hu Qingbo;Su Tengfei

机构地区：[1]中建五局 [2]同济大学建筑与城市规划学院 [3]同济大学建筑设计研究院(集团)有限公司

出　　处：《中外建筑》2024年第7期12-19,共8页Chinese & Overseas Architecture

摘　　要：斯蒂文·霍尔在现象学领域的建筑创作实践深刻影响了建筑师对物理空间“在场性”的丰富研究,近些年来,随着数字、AI等技术的发展,虚实交融,对物理空间的单一研究已经满足不了人们对空间的多元感官需求。文章再读霍尔的经典作品芬兰现代艺术中心,提出空间行走知觉和游牧映射交叠的双重建筑知觉现象,总结出真实在场知觉体验与神经元感官沉浸式体验成为展览空间发展的趋势,延展了现象学的边界及意义。Steven Holl's architectural creation practice in the field of phenomenology has deeply influenced architects'rich research on the"presence"of physical space.In recent years,with the increasing integration of virtual and real,and the development of digital,AI and other technologies,a single study of physical space can no longer meet people's diverse sensory needs for space.This article reinterprets Hall's classic work,the Finnish Modern Art Center,and proposes a dual architectural perception phenomenon of overlapping spatial walking perception and nomadic mapping.It summarizes that the development trend of exhibition space is based on the real presence perception experience and the immersive sensory experience of neurons,which extends the boundaries and significance of phenomenology.

关 键 词：艺术中心 游牧空间 知觉体验 现象学 AI 交织 

分 类 号：TU242.5[建筑科学—建筑设计及理论]