论乾嘉之际的复古诗人群体——以京江、吴中为中心  

On the Group of Retro Poets During the Qianlong and Jiaqing Period——Centered Around Jingjiang and Wuzhong

作　　者：王玉媛 WANG Yu-yuan(School of Arts and Media,Anhui International Studies University,Hefei Anhui,231201)

机构地区：[1]安徽外国语学院文学与艺术传媒学院,安徽合肥231201

出　　处：《山西大同大学学报（社会科学版）》2024年第4期71-77,共7页Journal of Shanxi Datong University(Social Science Edition)

基　　金：安徽外国语学院博士科研基金项目“乾嘉复古诗学研究”(Awbsjj202003);安徽外国语学院质量工程项目“清诗经典导读”(Aw2021jcjs003)。

摘　　要：乾隆末年至嘉庆初年,以京江、吴中为中心,形成两个规模较大的复古诗人群体。两个群体都服膺沈德潜复古诗学,反对袁枚性灵说的流弊。两个群体中的诗人交往密切,同声相应,通过诗酒文会等方式扩大声势,成为乾嘉复古诗坛的重要力量。他们又与沈德潜晚年弟子、格调派后期代表诗人王昶、王鸣盛等互相推重,有力促进了乾嘉复古诗风的兴盛。乾嘉复古诗风的兴盛彰显出沈德潜诗学影响力,也反映了乾嘉诗坛的复杂和多样。From the late Qianlong period to the early Jiaqing period,two large groups of retro poets were formed centered around Jingjiang and Wuzhong.Both groups were convinced by Shen Deqian’s theory of restoring ancient poetry and opposed the malpractice of Yuan Mei’s theory of spirituality.The poets in the two groups had close communication and corresponded with each other,becoming an important force in the retro poetry circle of the Qianjia period.They also emphasized each other with Shen Deq-ian’s later disciples and representative poets of the style school,such as Wang Chang and Wang Mingsheng,which effectively pro-moted the prosperity of the style of restoring ancient poetry during the Qianjia period.The prosperity of the style of retro poetry in Qianjia reflects the enormous influence of Shen Deqian’s poetics,as well as the complexity and diversity of the Qianjia poetry world.

关 键 词：乾嘉诗坛 复古诗风 京江 吴中 沈德潜 

分 类 号：I206[文学—中国文学]