西藏拉孜堆谐传统音乐形态及其文化诠释研究  

Research on the Traditional Musical Form and Cultural Significance of Lhatse stod gzhas

作　　者：晏庆 Yan Qing

机构地区：[1]长沙学院音乐学院

出　　处：《西藏艺术研究》2024年第2期37-47,共11页Tibetan Art Studies

基　　金：2022年度教育部人文社科青年项目“西藏扎年歌乐民间作品及其文化诠释研究”(项目号:22YJC760113)的阶段性成果。

摘　　要：堆谐是西藏音乐艺术的重要表现形式之一,也是集“歌、乐、舞”三位一体的,独具卫藏地区特色的民族歌舞艺术,歌词口语化,内容广泛新颖,音韵和谐,以扎年琴作为主要伴奏乐器,深受西藏人民的喜爱与演绎。文章以西藏堆谐故乡——拉孜堆谐作为研究对象,并通过田野观察记录、访谈、资料的比对,以及与音乐相关之民间作品的腔词关系、曲式结构、旋律乐句、节奏节拍等音乐特征的探讨与分析,力图呈现出西藏拉孜堆谐传统音乐之完整、真实的风貌与形态。而后,再由音乐面相出发,更进一步导入其文化意涵的诠释,期望经由层层深入的研究步骤,能勾勒出西藏堆谐音乐的传统文化样貌,并为其传习与传播赋予新的时代意义。Stod gzhas is one of the crucial forms of Tibetan musical art,which integrates"song,music,and dance."It is also a folk song and dance art with unique U-Tsang characteristics,colloquial lyrics,extensive and novel content,and harmony in sound.This paper takes Lhatse as the primary research site,known as the origin of stod gzhas.Through the field participant observation,interview,data comparison,as well as the discussion and analysis of the musical characteristics of folk art,including the relationship between the accents and lyrics,the structure of the music form,melody sentence,and the rhythms and beyond.Thus,this paper presents a relatively complete and authentic style and form of the traditional music of Xizang.Subsequently,this paper further interprets the cultural meaning,and it aims to depict the traditional cultural embodiment of stod gzhas and give new significance to its transmission and dissemination.

关 键 词：扎年 拉孜堆谐 藏族歌舞 音乐形态 民间音乐 堆谐文化 

分 类 号：J645[艺术—音乐]