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作 者:赵树勤[1] 胡乐 ZHAO Shuqin;HU Le(College of Liberal Arts,Hunan Normal University,Changsha 410081,China)
出 处:《吉首大学学报(社会科学版)》2024年第4期105-114,共10页Journal of Jishou University(Social Sciences)
摘 要:1980年代以来,中国女性诗歌在戏剧化追求方面展现出独特魅力。英美戏剧理论认为戏剧与诗歌在文学性质层面密不可分。这一理论在中国的译介与传播,使得1980年代以来我国女性诗人在诗歌创作过程中有意识地展开了戏剧化追求,具体表现为三个方面。其一,在叙事演绎的过程中,女性诗人时常利用戏剧性冲突聚合构建诗歌的情绪峰点。女诗人们以冲突为核心,展现“我”与外我的对抗性冲突及生活本质中的自我认知。其二,在语言技法的运用上,女性诗歌偏爱舞台上常见的口语式语言,通过观演元语言角度来增添诗歌的艺术表达维度,呈现出独有的狂欢化现象。其三,在进行戏剧剧场经验的化用时,女性诗歌追求视觉要素的革命和听觉要素的冲击,积极推行诗剧实践,以解读“人生如戏”的戏剧式隐喻。从“剧场思维”到“诗剧实践”,女性诗歌在戏剧化追求中不断创新发展,丰富了叙事手法,拓宽了表达领域。这些实践不仅展现了诗歌艺术的独特魅力,更体现了我国女性诗人对现实世界的敏锐洞察和人文关怀。Since the 1980s,Chinese female poetry has exhibited a unique charm in its pursuit of dramatization.The British and American theatrical theories argue that drama and poetry are inextricably linked in terms of literary nature.The translation and dissemination of this theory in China have inspired female poets since the 1980s to consciously embark on a pursuit of dramatization in their poetic creations,manifesting in three specific aspects.Firstly,in the process of narrative interpretation,female poets often utilize the aggregation of dramatic conflicts to construct emotional climaxes in their poems.Centering on conflicts,these poets show the antagonistic clashes between"I"and the external world,as well as self-cognition within the essence of life.Secondly,in the utilization of linguistic techniques,female poetry favors colloquial language commonly seen on the stage,adding an artistic dimension to poetic expression through the perspective of the meta-language of observation and performance,presenting a unique carnival.Thirdly,in the appropriation of theatrical experience,female poetry pursues a revolution in visual elements and an impact in auditory elements,actively promoting the practice of poetic drama to interpret the theatrical metaphor of"life is like a play."From"theatrical thinking"to"poetic drama practice,"female poetry continues to innovate and develop in its pursuit of dramatization,enriching narrative techniques and broadening expressive territories.These practices not only show the unique charm of poetic art,but also reflect female poets'keen insights into the real world and their humanistic concern.
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