浅析陶瓷雕塑的肌理语言  

Analysis on the Texture Language of Ceramic Sculpture

作　　者：余雅雯 Yu Yawen(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333000,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《陶瓷》2024年第8期27-28,165,共3页Ceramics

摘　　要：陶瓷雕塑作为一种传统的技艺形式在我国有着长久的发展历史,其为兼具绘画、雕塑的综合性艺术形式,是陶土或瓷土烧成的硬质材料雕塑。当代陶瓷雕塑的物性凸显在艺术家们对材料和技术有意识的运用,即陶瓷肌理越来越多元化的视觉效果。现如今肌理语言已然成为了创作者们创作作品的重要形式之一。Ceramic sculpture,as a traditional art form,has a long history of development in China.It is a comprehensive art form with both painting and sculpture.It is a hard material sculpture made of clay or China clay.The physical nature of contemporary ceramic sculpture is highlighted in the artists'conscious use of materials and techniques,that is,the increasingly diversified visual effects of ceramic textures.Nowadays,texture language has become one of the important forms for creators to create works.

关 键 词：陶瓷雕塑 肌理语言 创作 

分 类 号：TQ174.74[化学工程—陶瓷工业]