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作 者:汪花英 Wang Huaying(Jingdezhen Ceramic University,Institute of Ceramic Fine Arts,Jiangxi,Jingdezhen,333403,China)
机构地区:[1]景德镇陶瓷大学陶瓷美术学院,江西景德镇333403
出 处:《陶瓷》2024年第8期112-114,共3页Ceramics
摘 要:太湖石是我国重要的传统文化符号之一,体现着中国文人的审美意义及其自然观、人生观。湖石形象深受文人画家的喜爱,成为画家们热爱绘画元素之一。现今,随着陶瓷文化不断呈现出多元化、民族化发展,许多艺术家都以太湖石为装饰题材进行陶瓷艺术创作,不仅表现出陶瓷文化中的观赏价值,更涵盖了太湖石文化中的人文价值,使其具有双重审美价值。笔者以太湖石的装饰语言出发,了解太湖石与瓷上绘画结合的发展历史,结合对不同装饰技法的探索,深入研究陶瓷绘画中太湖石的艺术表达。Taihu stone is one of the important traditional cultural symbols in China,which embodies the aesthetic significance of Chinese literati,their natural view and outlook on life.The image of lake stone is loved by literati painters and has become one of the elements of painters'love painting.Now,with the continuous diversification and ethnic development of porcelain painting,many artists take Taihu stone as the decorative theme for ceramic art creation,which not only shows the ornamental value of ceramic culture,but also covers the humanistic value of Taihu stone culture,so that it has dual aesthetic value.Starting from the decorative language of Taihu stone,this paper understands the development history of the combination of Taihu stone and porcelain painting,combines the exploration of different decorative techniques,and deeply studies the artistic expression of Taihu stone in ceramic painting.
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