暧昧的政治书写:《马里·阿尔梅达的七个月亮》的悖反叙事  

Ambiguous Political Writing:The Paradoxical Narrative of The Seven Moons of Mari Almeida

作　　者：刘佳[1,2] LIU Jia(Department of Graduate School,Xi'an International Studies University,Xi'an 710128,China;Department of Literature and education college,Xi'an Innovation College of Yan'an University,Xi'an 710100,China)

机构地区：[1]西安外国语大学研究生院,陕西西安710128 [2]延安大学西安创新学院文教学院,陕西西安710100

出　　处：《太原学院学报（社会科学版）》2024年第5期101-110,F0003,共11页Journal of Taiyuan University(Social Science Edition)

基　　金：陕西省社会科学基金项目(2019J018)。

摘　　要：谢汉·卡鲁纳蒂拉卡在其获奖作品《马里·阿尔梅达的七个月亮》中巧妙地运用第二人称叙述,使作者、叙述者、人物、读者之间形成了关于内战的复调叙事,削弱了作者和叙述者的政治声音,且第二人称叙述的悖反艺术在于拉近了读者与文本故事的距离,但主人公在进行内心自我交流时又拉远了自我与叙述者的距离;作品在宏观上以主人公破解自己死亡之谜的七天时间来统摄作品结构,但在微观叙事层面又用图像、多重空间交错的手法还原战争场景;作者看似用魔幻、幽默的手法讲述荒诞可笑的故事,实则叙述的是残酷而严肃的政治事件。整个小说使用悖反的叙事策略既使小说层次感强,充满极大的艺术张力,又使作者和叙述者的政治立场、作品中的政治事件和政治主题变得暧昧不明。In Han Kang's award-winning work The Seven Moons of Mari Almeida,the clever use of the second-person narrative creates a polyphonic storytelling about the civil war,blurring the political voices of the author and narrator.The paradoxical nature of the second-person narrative brings readers closer to the text but simultaneously distances the protagonist from the narrator during inner self-reflection.The macro structure revolves around the protagonist unraveling the mystery of their own death in seven days,while the micro-narrative employs imagery and intertwining spatial techniques to recreate war scenes.Although the author seemingly tells an absurd and humorous story using magical elements,the narrative addresses cruel and serious political events.The novel's use of paradoxical narrative strategies enhances its complexity and artistic tension,leaving the political stance,events,and themes ambiguous.

关 键 词：谢汉·卡鲁纳蒂拉卡 《马里·阿尔梅达的七个月亮》 悖反叙事 政治书写 

分 类 号：I358.074[文学—其他各国文学]