论汪曾祺小说中“具体的乌托邦”——以《受戒》《大淖记事》为例  

On the“Konkrete Utopie”in Wang Zengqi’s Novels--A Case Study of The Love Story of a Young Monk and A Tale of Big Nur

作　　者：许源 Xu Yuan(College of Humanities,Zhejiang Normal University,Jinhua 321004)

机构地区：[1]浙江师范大学人文学院,金华321004

出　　处：《西部学刊》2024年第15期134-137,共4页Journal of Western

摘　　要：相较传统乌托邦,布洛赫的“具体的乌托邦”更具开放性,通过对世界发展趋势的把握推定出更完满的未来。艺术“先显”通过描绘愿望图像,感性地显现“具体的乌托邦”。《受戒》《大淖记事》作为汪曾祺的小说代表作,其愿望图像立足于苏北水乡贫困愚昧的现实,通过人类的美好品质,营构了以宽容、博爱、和谐为显著特征的“具体的乌托邦”。这一愿望图像具体反映了汪曾祺融贯中西的人道主义,以务实而开放的态度呼唤本真人性与寻找尚未之乡。Compared with the traditional utopia,Bloch’s“konkrete Utopie”is more open-minded,and presupposes a more perfect future by grasping the trend of the world.By depicting wishful images and sensibilities,art“Vor-Schein”can give sensuous embodiment about a“konkrete Utopie”.As Wang Zengqi’s masterpieces of fiction,The Love Story of a Young Monk and A Tale of Big Nur are based on the reality of poverty and ignorance in the water towns of northern Jiangsu Province,and through the good qualities of human beings,they construct a“konkrete Utopie”characterized by tolerance,fraternity,and harmony.This wishful images reflects Wang Zengqi’s pragmatic and open attitude to call for true humanity and search for the land yet to come in a humanitarianism that integrates the East and the West.

关 键 词：汪曾祺 恩斯特·布洛赫 “具体的乌托邦” 

分 类 号：I207.42[文学—中国文学]