《芥子园画传·初集》的编排体例及图像谱系探析  

A Study on the Patterns of Content Organization and Image GenealogyConstruction in Painting Manual of the Mustard Seed Garden:the First Edition

作　　者：陶昕泽 胡劲峰[1] TAO Xin-ze;HU Jin-feng(School of Design,Anhui Polytechnic University,Wuhu,Anhui 241000,China)

机构地区：[1]安徽工程大学设计学院,安徽芜湖241000

出　　处：《河北北方学院学报（社会科学版）》2024年第3期24-27,共4页Journal of Hebei North University：Social Science Edition

基　　金：安徽工程大学校级科研项目(Xjky2022180)。

摘　　要：《芥子园画传·初集》是中国传统山水画技法教学的经典之作,在中国画教学史上具有重要的指导意义。《初集》采用由浅入深的编排体例,构建了兼具程式化与意象化的图像谱系,并以系统化的图像体系、标准化的技法呈现和开放性的绘画理念为中国画教学提供了全新的范式。Painting Manual of the Mustard Seed Garden:the First Edition is a classic work of teaching traditional Chinese landscape painting techniques,and is of great significance in the history of Chinese painting teaching.With a from-the-shallower-to-the-deeper arrangement style,it constructs an image spectrum that is both programmatic and imaginative.It also provides a new model for Chinese painting teaching with the systematic image system,the standardized technique presentation,and the open painting concept.

关 键 词：《芥子园画传·初集》 编排体例 图像谱系 

分 类 号：J212[艺术—美术]