三国戏曲对徽州戏曲木雕的影响  

The Influence of Three Kingdoms Opera on Huizhou Opera Woodcarving

作　　者：钟华[1] ZHONG Hua(School of Fine Arts,Anhui Professional College of Art,Hefei,Anhui 230000,China)

机构地区：[1]安徽艺术职业学院美术学院,安徽合肥230000

出　　处：《河北北方学院学报（社会科学版）》2024年第3期28-30,共3页Journal of Hebei North University：Social Science Edition

基　　金：安徽省高校人文社科重点研究项目(SK2021A1067)。

摘　　要：徽戏诞生于明末清初,随着徽州商人的经济活动在扬州、苏州和京城广泛传播,三国戏曲是其中重要的组成部分,三国戏曲的广泛流传使江南地区产生了以三国戏曲为主题的戏曲木雕。从程式化表演、故事情节和价值观等方面对徽州的三国戏曲木雕进行研究,探讨三国戏曲文化对徽州木雕的影响,从而更好地保护这种物质文化。Hui opera was born in the late Ming and early Qing Dynasties and widely spread in Yangzhou,Suzhou and Beijing with the business activities of Huizhou merchants.The Three Kingdoms opera is an important component of Hui opera.The wide spread of the Three Kingdoms opera contributes to the birth of the opera-themed woodcarving.The paper analyzes the woodcarving of the Three Kingdoms opera in terms of its cultural mainline,its image identification,its theme and content,and its values.The exploration of the influence of Three Kingdoms opera culture on Huizhou woodcarving is of great significance to the conservation of this material culture.

关 键 词：徽戏 三国戏曲 戏曲木雕 

分 类 号：J314[艺术—美术]