《回归性原理》陶瓷雕塑创作解析  

Analysis of Ceramic Sculpture Creation of"The Principle of Regression"

作　　者：邹金成 赵兰涛 李超 Zou Jincheng;Zhao Lantao;Li Chao(Jingdezhen Ceramic University)

机构地区：[1]景德镇陶瓷大学

出　　处：《景德镇陶瓷》2024年第3期66-68,共3页Jingdezhen Ceramics

摘　　要：自1958年发现莫比乌斯带以来,莫比乌斯环在数学、建筑艺术领域都令人着迷。由于其视觉上令人困惑的片面性,与无限的联系以及它的象征力量,艺术家们一直对描绘莫比乌斯带感兴趣。毕业设计《回归性原理》正是基于对这个数学符号的调研,诸如相交的平行线和无边界的限制等违反直觉的矛盾概念,其展现的无限、次元、时间、统一等概念,通过多领域技术与陶瓷结合所进行的艺术表达。Since the discovery of the Mobius Band in 1958,the Mobius Band has fascinated in the fields of mathematics,architecture and art.Artists have been interested in depicting the Mobius Band due to its visually confusing one-sidedness,its connection to infinity,and its symbolic power.The graduation design"Principle of regression"is based on the investigation of this mathematical symbol,such as the counter-intuitive and contradictory concepts of intersecting parallel lines and limitations without boundaries,and its demonstration of the concepts of infinity,sublimity,time,and unity,and its artistic expression through the combination of multi-disciplinary technology and ceramics.

关 键 词：莫比乌斯环 陶艺 时空 

分 类 号：J314.8[艺术—美术]