中国式现代化视域下后乡土影像的文化观照  

Cultural Observation of Post-earthbound Images from the Perspective of Chinese Modernization

作　　者：耿小博[1] 罗力维 贾晓凡 Geng Xiaobo;Luo Liwei;Jia Xiaofan

机构地区：[1]河北大学艺术学院,保定071000 [2]河北石油职业技术大学,承德067000

出　　处：《新闻春秋》2024年第4期35-41,共7页Journalism Evolution

基　　金：2020年河北省社会科学基金项目“河北省人文类乡村纪录片的创作与传播”(项目编号:HB20YS018)的研究成果。

摘　　要：中国式现代化是中国共产党站在新的历史起点上,基于中国国情总结的一种新的文明形态。乡村题材纪录影像紧跟时代潮流,发挥“时代影像志”的功能,精准捕捉中国式现代化语境下后乡土社会乡村图景的主体新表征、发展新秩序和文明新形态。后乡土纪录影像以“乡语”“面孔”“城乡”为叙事创新切口,在创作实践中不断丰富叙事策略和叙事视角,兼具国际视野、家国情怀与人文情怀,记录并阐释中华民族伟大复兴征程中崭新的乡村形象。Chinese modernization is a new form of civilization summarized by the Communist Party of China based on China's national conditions, standing at a new historical starting point. Rural-themed documentary images closely follow the trend of the times, playing the role of an “era imagery record”, and accurately capture the new representations of the main subjects, new development order, and new forms of civilization in the rural landscape of post-earthbound society in the context of Chinese modernization. Post-earthbound documentary images use “local language”, “faces”, and “urban-rural” as innovative narrative approaches, continuously enriching narrative strategies and perspectives in creative practice, combining international perspective, national sentiment, and humanistic sentiment, recording and interpreting the new rural images in the journey of the great rejuvenation of the Chinese nation.

关 键 词：乡村纪录片 后乡土社会 中国式现代化 文化观照 

分 类 号：G210[文化科学—新闻学]