基于敦煌飞天伎乐神艺术美的珠宝设计研究  

RESEARCH ON JEWELRY DESIGN BASED ON THE ARTISTIC BEAUTY OF DUNHUANG FLYING KABUKI GODS

作　　者：王晶[1] 康彤 WANG JING;KANG TONG

机构地区：[1]西安理工大学艺术与设计学院

出　　处：《设计》2024年第15期139-141,共3页Design

摘　　要：敦煌壁画艺术作为敦煌艺术的主要组成部分,独一无二的着色与构图体现了敦煌艺术的壮丽[1]。在唐代敦煌壁画中,伎乐天神形象是敦煌壁画本土文化的重要展现于世人的方式之一,其中以飞天伎乐神最具有代表性,是多元中国美学文化融合的艺术形象,同时神女又是最为广为人知的部分,美学效果使其成为佛教文化的体现。设计以敦煌壁画中的飞天伎乐神造型为载体,对其进行基本的造型艺术特色分析,以其作为立点原型设计,用叙述型珠宝设计探讨其在珠宝设计中的应用,衍生出《熠熠煌玺》珠宝首饰设计。As a major part of Dunhuang art,the unique coloring and composition of Dunhuang murals reflect the magnificence of Dunhuang art[1].In the Tang dynasty Dunhuang murals,the image of Kabuki gods is one of the important ways of Dunhuang murals to show the local culture to the world,in which the flying Kabuki gods are the most representative of the fusion of multiple Chinese aesthetics and culture of the image of art,while the goddess is the most widely known part of the aesthetic effect makes it become a manifestation of Buddhist culture.The design takes the shape of Flying God of Kabuki in Dunhuang mural paintings as a carrier,analyses its basic stylistic artistic characteristics,uses it as a prototype design,and explores its application in jewellery design with narrative jewellery design,which results in the jewellery design of Tactile Brilliant Seal.

关 键 词：敦煌壁画 飞天伎乐神 美学特色 视觉效果 珠宝首饰设计 

分 类 号：J524[艺术—艺术设计]