现代性与民族化:郭沫若早期戏剧的承启功能与史学价值  

Modernity and Nationalization:The Supportive Function and Historical Value of Guo Moruo's Early Dramas

作　　者：逯艳[1] LU Yan(Shandong Youth University of Political Science,Jinan 250103,China)

机构地区：[1]山东青年政治学院,济南250103

出　　处：《长春工程学院学报（社会科学版）》2024年第2期57-60,共4页Journal of Changchun Institute of Technology(Social Sciences Edition)

基　　金：2023年度山东省济南市社科重点项目:黄河流域原生戏曲遗产传承与数智化赋能路径研究(项目编号:JBSK23B40);2024年度四川省教育厅人文社科(郭沫若研究)一般课题:郭沫若早期历史剧的认识装置与国族叙事(项目编号:GY2024B005)。

摘　　要：郭沫若早期浪漫主义戏剧作为中国戏剧变革的时代样本,与《新青年》派现实主义、新浪漫主义、浪漫主义和“国剧运动”共同推动了20世纪20年代中国戏剧的现代化转型,同时承接了20世纪30年代普罗列塔利亚革命戏剧与40年代革命戏剧民族化运动,投映出中国戏剧现代化与民族化的裂变与融合的复杂过程。着眼郭沫若早期戏剧创作文本,梳理世界浪漫主义戏剧演变历程,横向对比郭沫若中国浪漫主义戏剧与西方浪漫主义戏剧的不同及对后者的超越,进而纵深剖析郭沫若早期戏剧对中国20世纪初至抗战时期中国戏剧现代化与民族化的贡献,探寻郭沫若早期戏剧对不同时期戏剧运动的承启功能,挖掘郭沫若早期历史剧的史学价值。Guo Moruo's early romantic dramas,as the examples of the revolution of Chinese dramas,promoted the modernization of Chinese dramas in the 1920s together with the realism of New Youth School,New Romanticism,Romanticism and the“national drama movement”.At the same time,Guo Moruo carried on the revolutionary dramas of Proettalia in the 1930s and the national drama movement in the 1940s.It reflects the complex process of fission and fusion of the modernization and nationalization of Chinese dramas.With the help of Guo Moru's early drama creation texts,this paper places them in the evolution process of world romanticism,makes a horizontal comparison with Western romantic drama creation,and then integrates them into the improvement process of new and old plays in the first half of the 20th century in China,so as to explore the supportive function and historical value of Guo Moruo's early dramas.

关 键 词：郭沫若 《三个叛逆的女性》 承启功能 史学价值 

分 类 号：I207.3[文学—中国文学]