《李尔王》的双线结构艺术  

The art of double-plot in King Lear

作　　者：王普明 Wang Puming(School of Politics,Law&Public Administration,Yanan University,Yanan 716000,China)

机构地区：[1]延安大学

出　　处：《外文研究》2024年第3期55-60,108,共7页Foreign Studies

摘　　要：通过对历史剧《李亚王》单线情节“折头”并续接锡德尼小说《阿卡狄亚》中的一段类似情节,莎士比亚创作出《李尔王》的双线结构。在改编过程中,莎士比亚对素材实施了去冗纳新、虚实结合、改头换面、延宕高潮等技法,以使双线结构充分实现其艺术功效,表现为莎剧《李尔王》的情节设置能够兼顾陌生度与熟悉度、紧张性与丰满性,并产生“双重反光”效果,从普通历史剧转变为经典悲剧。The double-plot of King Lear is formed by twisting the first scene of the source play King Leir and then connecting it with a sub-plot adapted from Sidneys prose Arcadia.Shakespeare implemented techniques such as removing redundancy and incorporating novelty,combining virtuality with reality,altering and rearranging the original plots,and delaying climax,etc.,fully realizing the artistic effect of the double-plot structure.This is reflected in King Lear,which can balance unfamiliarity and familiarity,intensity and richness,and produce the effect of“double reflection”,transforming from an ordinary historical play to a classic tragedy.

关 键 词：李尔王 莎士比亚 双线结构 双重反光 分身 

分 类 号：I106[文学—世界文学]