The Contradiction between “Soul” and “Body” in André Gide’s Pastoral Symphony  

作　　者：XU Chang 

机构地区：[1]Guangdong University of Foreign Studies,Guangzhou,China [2]Sorbonne University,Paris,France

出　　处：《Journal of Literature and Art Studies》2024年第7期602-606,共5页文学与艺术研究（英文版）

基　　金：This essay is supported by the China Scholarship Council Program(ID:202408440417).

摘　　要：André Gide is one of the most important writers in the history of French literature in the 20th century.His works are highly distinctive:on the one hand,there is strong coherence and beautiful language between his works,which gives them a strong musicality.On the other hand,his works delve deeper into the struggle between the“soul”and the“body”under the oppression of“religious concepts”,which is most evident in one of his representative works:Pastoral Symphony.This article will analyze and explore the contradiction between“soul”and“body”reflected in the work of“Pastoral Symphony”from three aspects:“modernity”,“aesthetics”,and“characters’prototypes”.

关 键 词：AndréGide Pastoral Symphony “soul” “body” CONTRADICTION 

分 类 号：H315.9[语言文字—英语]