“艺格敷词”与女性凝视:《维莱特》中的女性主体身份建构  

Ekphrasisand Female Gaze:The Construction of Female Subjectivity in Villette

作　　者：薛慧莹 XUE Hui-ying

机构地区：[1]北京电影学院人文学部,北京100088

出　　处：《外语导刊》2024年第3期47-54,159,共9页Foreign Languages Bimonthly

摘　　要：“艺格敷词”作为对文学与视觉艺术、语言与图像关系的研究,已成为近年来西方跨学科研究的热点之一。在英国作家夏洛蒂·勃朗特的小说《维莱特》中,艺格敷词的运用非常广泛。本文将聚焦小说中视觉艺术的呈现,以劳拉·穆尔维的“男性凝视”和约翰·伯格的《观看之道》为理论基础,解读女主人公露西·斯诺如何通过视觉体验与艺术评论实现对男性凝视的消解。勃朗特通过露西对荷兰现实主义绘画的赞美和对女性肖像画及其隐喻的批判揭示了女性视觉主体性的觉醒,并由此展开对主体与客体、自我与他者关系的讨论,在现实主义写作中为女性主体身份的建构提供了重新阐释的空间。Ekphrasis,as the study of the relationship between the visual arts and literary texts,as well as images and languages,has drawn a critical attention in Western interdisciplinary studies in recent years.In Charlotte Brontë's Villette,ekphrasis has been widely used.Based on Laura Mulvey's Male Gaze theory and John Berger's Ways of Seeing,this study focuses on the visual arts in this novel to explore how the female protagonist Lucy Snowe dispels the male gaze through her subjective visual experience and art criticism.Charlotte Brontë,through Lucy Snowe's appreciation for Dutch painting and her critiques on female portraits and their metaphors,unravels the awakening of the female visual subjectivity.Therefore,she opens up the discussion of the relationships between subject and object,as well as self and other,reflecting upon the construction of female subjectivity and self⁃identification in her realist writings.

关 键 词：夏洛蒂·勃朗特 维莱特 艺格敷词 男性凝视 现实主义 女性主体性 身份建构 

分 类 号：I561.074[文学—其他各国文学]