繁花落尽,枯木残立——《繁花》的父权意识书写  

Flowers Have Fallen,and Withered Trees Stand Still——On the Patriarchal Consciousness in the Writing of“The Flowers”

作　　者：张若男 ZHANG Ruo-nan(Fenghuang Bilingual Primary School,Taiyuan 030000,China)

机构地区：[1]万柏林区凤凰双语小学,山西太原030000

出　　处：《哈尔滨学院学报》2024年第7期92-96,共5页Journal of Harbin University

摘　　要：金宇澄以说书人的姿态在《繁花》中讲述着老上海的市井传奇,显露出作家书写的父权意识。作家站在男性叙述者的立场,将男性塑造为正面人物,美化、庇护男性;而把女性置于附属地位,想象、塑造甚至妖魔化女性。在这种父权诗学中,女性失去了独立地位,只能依附于男性而成为“他者”,但《繁花》隐性的文学性恰恰更多地来源于这些上海女性,她们以其难以忽视的强烈存在感跃然纸上,生动鲜活地呈现在读者眼前,她们不是男性主人公的配角,而是“繁花”。Jin Yucheng,in the form of a storyteller,tells the legendary stories of the common people in old Shanghai in“The Flowers”,revealing the author’s patriarchal consciousness in writing.The writer takes the position of a male narrator,portraying men as positive characters and beautifying and protecting them,placing women in a subordinate position,imagining,shaping,and even demonizing women.In this patriarchal poetics,women lose their independent status and can only rely on men to become the“other”.However,the implicit literary quality of“Flowers of Blossoms”comes more from these Shanghai women,who vividly present themselves to readers with their strong sense of existence that cannot be ignored.They are not the supporting role of the male protagonists,but“flowers”.

关 键 词：父权意识 女性书写 男性书写 

分 类 号：I247.5[文学—中国文学]