脱域之域:现代性视野下广播剧《山乡来信》中的声音空间构建研究  

The Realm of Disembedding:Constructing Auditory Space in the Radio Drama"Letters from the Mountain Village"from a Modernity Perspective

作　　者：胡红一 于特浩 李旭[1] HU Hong-yi;YU Te-hao;LI Xu(Guangxi University,Nanning Guangxi 530004)

机构地区：[1]广西大学,广西南宁530004

出　　处：《吉林艺术学院学报》2024年第3期54-59,共6页Journal of Jilin University of Arts

摘　　要：《山乡来信》以“毛南族整族脱贫”为选材,是广西首部汉壮双语融媒体广播剧,分为普通话和壮语两版,于2022年12月在中央广播电视总台央广中国之声播出。从吉登斯所体认的现代性视野来看,《山乡来信》在叙事层面呈现“时空”分离,使受众在听觉审美中“脱域”,并基于自身经验构建全新的声音空间,即“脱域之域”。这与近些年来,听觉文化不断赋能广播剧创作的发展趋势殊途同归。研究发现,受众在聆听广播剧的过程中,通过识别声音景观符号,在以“时空”分离为代表的主动力,与以“听觉审美趋向”和“少数民族在地性”为代表的次动力共同驱动下,构建起“意象型声音空间、抽象型声音空间、联想型声音空间和具象型声音空间”四种再域化声音空间类型。"Letters from the Mountain Village,"focusing on the complete poverty alleviation of the Maonan ethnic group,is Guangxi's first bilingual(Mandarin and Zhuang)integrated media radio drama,with both Mandarin and Zhuang versions.It was broadcast on China National Radio's Voice of China in December 2022.From the perspective of modernity as understood by Giddens,"Letters from the Mountain Village"presents a separation of"time and space"at the narrative level,allowing the audience to experience"disembedding"in auditory aesthetics.Audiences construct a new auditory space based on their own experiences,termed the"realm of disembedding."This aligns with the recent trend of auditory culture continuously empowering radio drama creation.The study finds that during the listening process,audiences,by identifying soundscape symbols,are driven by the main dynamic of"time-space separation"and the secondary dynamics of"auditory aesthetic orientation"and"locality of ethnic minorities."These dynamics collectively facilitate the construction of four types of re-embedded auditory spaces:imagistic auditory space,abstract auditory space,associative auditory space,and concreteauditory space.

关 键 词：吉登斯 声音空间构建 听觉文化 《山乡来信》 

分 类 号：J805[艺术—戏剧戏曲]