普罗科菲耶夫《第三钢琴协奏曲》音乐风格特点与演奏诠释  

On the Stylistic Characteristics of Prokofiev's Piano Concerto No.3 and the Interpretation of Its Performance

作　　者：林曦冉 Lin Xiran(Gnessin Russian Academy of Music,Moscow 121069,Russia)

机构地区：[1]俄罗斯格涅辛音乐学院,莫斯科121069

出　　处：《新疆艺术学院学报》2024年第3期11-20,共10页Journal of Xinjiang Arts University

摘　　要：《第三钢琴协奏曲》是普罗科菲耶夫的代表作品,普罗科菲耶夫拥有超过25年的音乐会演出活动与音乐创作,这种作曲家和演奏家密切结合形成的独特艺术现象,被称为“普罗科菲耶夫的钢琴主义”。普罗科菲耶夫同时代的人通常将他的作曲和演奏工作分开看待,如今,人们普遍认为这二者密切相关。对普罗科菲耶夫音乐的诠释趋势可能会有所不同,这取决于演奏者是将普罗科菲耶夫的作曲风格和演奏风格分开,还是将二者视为不可分割的统一体。Piano Concerto No.3 is Prokofiev's master piece.Prokofiev has over 25 years of concert performance and music creation,an unique artistic phenomenon formed by the close combination of composer and performer,known as"Prokofiev's Pianism".Prokofiev's contemporaries often viewed his composition and performance work separately.However,it is widely believed today that the two are closely related.The interpretation trend of Prokofiev's music may vary depending on whether the performer separates Prokofiev's compositional style and performance style,or sees the two as an inseparable unity.

关 键 词：普罗科菲耶夫 《第三钢琴协奏曲》 音乐风格 演奏诠释 

分 类 号：J614[艺术—音乐] J624.1