斯氏体系中的符号化建制——析“单位与任务”中的动作观点  

On the Construction of Signs in Stanislavski's Theatrical Theory System--An Analysis of Action Perspective in"Unit and Task"

作　　者：杨竣淇 Yang Junqi(The Central Academy of Drama,Beijing 100710)

机构地区：[1]中央戏剧学院,北京100710

出　　处：《新疆艺术学院学报》2024年第3期21-27,共7页Journal of Xinjiang Arts University

摘　　要：“单位与任务”是斯坦尼斯拉夫斯基演剧理论体系中的一组重要元素概念,它不仅是一种对进入与把握斯氏演剧理论体系具有指导性意义的操作方法,更重要的是,“单位与任务”已经是一组从根本上触及戏剧基础理论的重要概念。斯氏盯准作为戏剧表现手段的动作来确定“单位与任务”的实质与关系,视动作为符号而来对戏剧的表意功能予以剖判,将以往直接从“所指”(结构、情节、主题)入手转化为以“能指”(动作)进入而通达“所指”。The"unit and task"is a pair of important concepts in Stanislavski's theatrical theory system.It is not only a guiding method for the access into and the command of Stanislavski's theatrical theory system,but more importantly,an important concept that fundamentally touches upon the basic theory of drama.Stanislavski determines the essence of"units and tasks"and the relationship between them by using the action--a means of theatrical expression,and considers actions as signs to dissect the expressive function of drama.He transforms the previous approach of directly starting from"the signified"(structure,plot,theme)into using"the signifier"(action)to access"the signified".

关 键 词：“单位与任务” 动作 斯坦尼斯拉夫斯基演剧体系 戏剧动作二重性 

分 类 号：J812[艺术—戏剧戏曲]