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作 者:刘硕 Liu Shuo(Yangzhou University,Yangzhou 225009)
机构地区:[1]扬州大学,扬州225009
出 处:《新疆艺术学院学报》2024年第3期28-36,共9页Journal of Xinjiang Arts University
基 金:2023年度教育部人文社会科学研究青年基金项目“隋唐乐人研究”(项目编号:23YJC760073)的阶段性成果。
摘 要:唐代乐人数量众多,除了中原本土的艺人外,从亚洲其他国家、地区来的艺人也是不可忽视的群体。这些昭武九姓胡乐人,对当时中国的宫廷音乐、民间音乐、综合文艺都有不少的贡献。其中的家族乐人更是世袭几代、几朝传承技艺,造就了绵延百余年的音乐文化。隋唐时期与中原地区频繁往来的昭武九姓艺人们,将各种艺术体裁发展、改创、融合,从政治服务、通商经济、双向文化交流及音乐舞蹈方面来看,是具有积极意义的。There are numerous musicians in the Tang Dynasty,including not only the artists from the Central Plains,but also artists from other Asian countries and regions which is not an negligible group.The Hu musicians from the Nine Zhaowu families made significant contributions to the court music,folk music,and comprehensive literature and art of China at that time.The family musicians among them inherited musical skills that had been passed for several generations and dynasties,creating a music culture that has lasted for hundreds of years.During the Sui and Tang dynasties,the Hu musicians from the Nine Zhaowu families,who frequently interacted with the musicians from the Central Plains,developed,innovated,and integrated various artistic genres.From the perspectives of political services,trade and economy,two-way cultural exchanges,and music and dance,their musical practice is of positive significance.
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