题写中的两种面相:小议沈荃的题跋与交游  

Two Images Showed in Shen Quan’s Inscriptions:A Brief Discussion on His Postscripts and Social Interactions

作　　者：施錡 Shi Qi(East China Normal University,Shanghai 200062)

机构地区：[1]华东师范大学,上海200062

出　　处：《新疆艺术学院学报》2024年第3期59-68,共10页Journal of Xinjiang Arts University

基　　金：2022年度国家社科基金艺术学课题“明清书画题跋史”(项目编号:22BF102)的阶段性成果。

摘　　要：本文分析了沈荃通过书写题跋获得康熙宠遇的原因,并梳理了沈荃参与群题的两套册页,一套是京师同僚群题的蓝深《画西湖十景严绳孙等诗画合璧册》,题跋内容独具文人特色;一套是地缘友人群题沈灏《墨梅图册》,体现了明末以来女性知识群体的兴起,以及与沈荃朝堂形象相反的遗民情怀。由此可得出沈荃的两种面相,深化对沈荃历史形象的认识。This paper analyzes why Shen Quan gained the favor of Emperor Kangxi through his inscriptions,and sorts out two sets of books in which Shen Quan contributed his writings together with other artists.One set is Lan Shen’s book The Painting of Ten Scenic Spots of West Lake and Paintings and poetry composed by Yan Shengsun and Other Artists.The inscription contributors are mainly Shen Quan’s peer officials in Beijing.The content of the inscriptions is unique to literati.The other set is Shen Hao's painting collection Ink Plum in which Shen Quan and his friends shared their inscriptions which reflects the rise of the female intellectual group since the late Ming Dynasty,as well as the patriotic sentiment of the remnants of the Ming Dynasty,which is opposite to Shen Quan’s court image.The two opposite images learned from Shen Quan’s inscriptions can help understand Shen Quan’s historical image.

关 键 词：沈荃 题跋 女性知识群体 遗民 

分 类 号：J212[艺术—美术] J292.1[文学—中国文学] I207.22[历史地理—历史学] K249.2[历史地理—中国史]