物我同一思想下的中国画写生探析  

Analyzing Chinese Painting Sketching with the Unity of Object and Man Concept

作　　者：仲伟然 Zhong Weiran(Fine Art College,Harbin Normal University)

机构地区：[1]哈尔滨师范大学美术学院

出　　处：《美术》2024年第8期151-153,共3页Art Magazine

摘　　要：中国画写生与物我同一哲学观联系密切,强调对自然的深度感悟,追求形神合一的审美理念,融合物象的微妙之处与艺术家的审美情感,表现艺术家的个性创造力,实现中国画写生的审美、哲学与艺术的升华。本文以物我同一理念为主线,以写生作品为例探讨写生中物我交融的实践过程、审美观念及艺术家的个性表达,并基于物象的再创造和审美的主观体验,升华艺术家对审美的追求。Chinese painting sketching,closely connected with the philosophy of the unity of object and man,emphasizes a profound understanding of nature,pursues the aesthetic concept of the unity of form and spirit,integrates subtleties of objects with artists’aesthetic emotions,and demonstrates artists’individual creativity,which improves aesthetics,philosophy and art in Chinese painting sketching.With the unity of object and man concept as the main thought,this article takes sketches as an example to discuss the integration of object and man and the expression of aesthetic concepts and artists’feelings,and enhances artists’aesthetic pursuits on the basis of object recreation and subjective aesthetic experience.

关 键 词：中国画 写生 物我同一 审美观念 

分 类 号：J212[艺术—美术]