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作 者:高明祥 GAO Mingxiang
机构地区:[1]中国艺术研究院《文艺研究》杂志社,北京100012
出 处:《湖南师范大学社会科学学报》2024年第4期121-129,共9页Journal of Social Science of Hunan Normal University
基 金:国家社会科学基金青年项目“钱谦益入清诗笺证及其心史考”(23CZW023)。
摘 要:钱谦益《病榻消寒杂咏》组诗写于康熙二年冬至三年初,距离他去世时间不足五个月,可视为其绝笔之作。从疾病书写的角度考察这组诗,能够更好地把握钱谦益晚年的心态。此时的钱谦益被耳聋、眼花、气疾等病症困扰,因而寻求佛道思想来解脱,但是这些思想并没有成为他的精神寄托,反而成为他表达病痛时的意象资源选择。该组诗描绘了众多病与穷的古人群像,这些形象受到钱谦益主观的改造,其中的韩愈形象代表了钱氏对自身文坛盟主身份的体认。该组诗的疾病书写暗含对明朝时局的批判以及复明运动的隐喻,并指向了钱谦益欲洗刷贰臣耻辱的自我建构。该组诗的天气书写、结构模式、人物意象等,透露出绝望与希望之间的情感角力,显示了身处疾病中的钱谦益的真实体验。Qian Qianyi's Poems to Ward off the Cold on a Sick Bed written irom the winter of the second ycar of Kangxi to the beginning of the third year of Kangxi,less than five months before his death,can be regarded as his final work.Exam-ining this group of poems from the perspective of illness can provide a better understanding of Qian Qianyi's state of mind in his later years.At this time,Qian Qianyi was plagued by illnesses such as deafness,blurred vision and gas problems,and thus sought relief from Buddhist and Taoist ideas.but rather than becoming a spiritual support,these ideas became his choice of imagery resources for expressing his illness.The poems depict numerous groups of ancient people who are sick and poor.and this character mages are subjectively transformed by Qian Qianyi,with the image of Han Yu representing Qian Qianyi's confirmation of his position as the lader of the literary world.The illnesses in the poems imply a critique of the Ming dynasty and a metaphor for the moverment to restore the Ming dynasty,and point to Qian Qianyi's self-construction of his desire to clear the shame of being a turncoat official The weather writing.structural patterns and character imagery of the poems reveal the emotional struggle between despair and hope,revealing the true experience of Qian Qianyi in the midst of illness.
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