话本小说改写的伦理学框架——以《古今小说·杨谦之客舫遇侠僧》文本伦理的多维重构为例  

The Ethical Framework of Huaben Novel Rewriting:A Case Study of the Multi-dimensional Ethics Reconstruction of Text in Yang Qianzhi Meets the Monk in the Boat

作　　者：王一雯 WANG Yiwen(Chinese Literature Department,Fudan University,Shanghai 200433)

机构地区：[1]复旦大学中国语言文学系博士后流动站,上海200433

出　　处：《绍兴文理学院学报》2024年第7期99-108,共10页Journal of Shaoxing University

基　　金：中国博士后科学基金第72批面上资助项目“‘三言二拍’故事在清代通俗文学中的‘共题’研究”(2022M720829);上海市“超级博士后”激励计划“‘三言二拍’故事在清代通俗文学中的‘共题’研究”(2022095)。

摘　　要：关注话本小说改写现象中传统叙事分析视野之外的文本伦理框架变化,建立故事重构与伦理框架的理论关联性,并阐释其文化成因。《古今小说》第十九卷《杨谦之客舫遇侠僧》中,冯梦龙通过对两宋故事改写,糅合并重构西南历史,改造了文本的时间伦理。作为前文本的民间文本之伦理框架,叠加并呈现为人与动物、两性及三教伦理的冲突、对峙与等级化。同时,故事受到史传、志怪笔记等传统叙事作品中夷夏关系书写范式的影响。其中,景观及器物的伦理意义、因果结构的缺失与否等微观伦理框架与晚明现实社会文化变迁关联,反映了明人“夷夏”伦理认知共识。This paper focuses on the change of the ethical framework of the text outside the perspective of traditional narrative analysis,establishes the theoretical correlation between story reconstruction and the ethical framework,and explains its cultural causes.In the 19th volume of Ancient and Modern Novels,Yang Qianzhi Meets the Monk in the Boat,Feng Menglong rewrites the stories of the Song Dynasties,blends and reconstructs the history of Southwest China,and transforms the time ethics of the text.The ethical framework of the folk text as the pretext is superimposed and presented as conflicts,confrontations,and hierarchies between humans and animals,genders,and the ethics of the three religions.At the same time,the story is influenced by the writing paradigm of the relationship between Yi and Xia in the literary tradition,such as historical biography and strange notes.Among them,the micro ethical frameworks,such as the ethical significance of landscape and objects,and the lack of causal structure,is related to the real social and cultural changes in the late Ming Dynasty,reflecting the ethical cognitive consensus of“Yi Xia”in the Ming Dynasty.

关 键 词：话本小说 伦理 重构 前文本 

分 类 号：I207.41[文学—中国文学]