新国画运动影响下的中国画嬗变——贺天健艺术思想及其风格转变  

Evolution of Chinese Painting under the Influence of New Chinese Painting Movement——He Tianjian’s Artistic Thought and Stylistic Change

作　　者：段霄芸 DUAN Xiaoyun(School of Art,Hebei University,Baoding,Hebei 071000,China)

机构地区：[1]河北大学艺术学院,河北保定071000

出　　处：《河北开放大学学报》2024年第4期102-105,共4页Journal of Hebei Open University

摘　　要：20世纪中叶,伴随西方外来文化和中国传统文化的碰撞,社会主义民族艺术的建设成为艺术家探讨的中心任务。新国画运动的开展让传统中国画结合当时社会政治环境等因素,以社会主义服务为主旨进行艺术创作。在此期间塑造了一批杰出艺术家,其中贺天健便是这一时期的代表人物之一。新国画运动将中国画从传统的局限中解脱出来,也促使贺天健的绘画在新国画运动中呈现出鲜明的时代性和独特性特征。In the mid-20th century,with the collision between western foreign culture and China traditional culture,the construction of socialist national art became the central task for artists to explore.With the development of the New Chinese Painting Movement,traditional Chinese painting was combined with the social and political environment at that time,and artistic creation was based on the theme of socialist service.During this period,a generation of outstanding artists were created,among which He Tianjian was one of the representatives of this period.The New Chinese Painting Movement freed Chinese painting from the traditional limitations,and also made He Tianjian’s paintings show distinctive characteristics of the times and uniqueness in the New Chinese Painting Movement.

关 键 词：贺天健 新国画运动 艺术风格 山水画 

分 类 号：J222[艺术—美术]