当代陶瓷艺术的叙事策略与美学转向——以2023“瓷的旅程”双年展为视域  

Narrative Strategies and Aesthetic Shifts in Contemporary Ceramic Art——From the Perspective of 2023“Journey of Porcelain”Biennial Exhibition

作　　者：吴楚 黄勇 WU Chu;HUANG Yong(Jingdezhen Ceramic University,Jingdezhen 333403,China)

机构地区：[1]景德镇陶瓷大学,景德镇333403

出　　处：《中国陶瓷》2024年第8期112-119,共8页China Ceramics

基　　金：江西省社科规划重大智库项目“景德镇打造对外文化交流新平台的路径与策略研究”(23ZK32);江西省社科规划重大智库项目“传承与创新:景德镇瓷业近代化转型研究”(23ZK01)。

摘　　要：新时期,中国艺术创作与处于转捩期的社会境况相吻合,作品文本、当代陶瓷艺术演变及由此产生的叙事和美学转向之间呈现独特的视觉面相。叙事策略上,兼顾宏大叙事、微观叙事和融合叙事的模式表达;美学探索上,由客观形式美向生活美学、审美主义、社会学转向,陶瓷艺术在“现代性”语境中逐渐形成其价值传递和美学表达的新的叙事理路。深入研究此课题,对现代转型之后理解中国陶瓷艺术的发展脉络和方向,推动中国陶瓷美学理论的发展具有重要的文化当代性意义。In the new period,Chinese artistic creation coincides with the transitional social conditions,presenting a unique visual aspect between the textual works,the evolution of contemporary ceramic art and the resulting narrative and aesthetic shifts.In terms of narrative strategies,there is a balance between grand narratives,micro-narratives,and integrated narrative modes of expression.In aesthetic exploration,there is a shift from objective formal beauty to life aesthetics,aestheticism and sociology.Ceramic art gradually forms a new narrative way for the transmission of values and aesthetic expression within the context of“modernity”.In-depth research on this topic is of significant contemporary cultural importance for understanding the development context and direction of Chinese ceramic art after the modern transformation and promoting the development of Chinese ceramic aesthetic theory.

关 键 词：陶瓷艺术 双年展 叙事美学 现代性 

分 类 号：TQ174.74[化学工程—陶瓷工业]