高校首饰文创引领下的地方非遗转型之路——以(鲁绣)即墨花边为例  

The Transformation Road of Local Intangible Cultural Heritage under the Guidance of Jewelry Cultural Creation in University--Taking(Lu Embroidery)Jimo Lace as an Example

作　　者：李佳莉 李佳航 何魁 LI Jiali;LI Jiahang;HE Kui(School of Gemmology,China University of Geosciences(Beijing),Beijing 100083)

机构地区：[1]中国地质大学(北京)珠宝学院,北京100083

出　　处：《中国宝玉石》2024年第4期26-33,39,共9页China Gems & Jades

摘　　要：地方非物质文化遗产的保护与传承一直是中国文化发展的重要课题。本文以鲁绣中的即墨花边为例,探讨了高校首饰文创引领下的地方非遗转型之路。通过研究鲁绣及即墨花边的历史渊源和技艺特点,分析了高校首饰设计与文化创意产业相结合的实践模式,探究了高校首饰文创项目在地方非遗保护与传承中的作用,为地方非遗的转型与创新提供新的思路和实践路径。The protection and inheritance of local intangible cultural heritage has always been an important issue in the development of Chinese culture.Taking the Jimo lace in Lu embroidery as an example,this paper discusses the transformation of local intangible cultural heritage under the guidance of cultural jewelry creation in colleges and universities.By studying the historical origin and technical characteristics of Lu embroidery and Jimo lace,this paper analyzes the practical mode of combining jewelry design with cultural and innovative industries in colleges and universities,explores the role of creative cultural jewelry projects in colleges and universities in the protection and inheritance of local intangible cultural heritage,and provides new ideas and practical paths for the transformation and innovation of local intangible cultural heritage.

关 键 词：即墨花边 首饰 高校文创 非遗 

分 类 号：J523.6[艺术—艺术设计]