曲式叙述与多重音景——《丰乳肥臀》中的“声音”探析  

Musical Narration and Multiple Sound Scenes:An Analysis of“Sound”in Big Breasts and Wide Hips

作　　者：方晓雨 石小寒[1] FANG Xiaoyu;SHI Xiaohan(College of Literature,Liaocheng University,Liaocheng 252059,Shandong)

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《陕西理工大学学报（社会科学版）》2024年第4期49-55,共7页Journal of Shaanxi University of Technology(Social Science)

摘　　要：新世纪以来的莫言小说评论多关注《丰乳肥臀》的视觉书写,声音元素及其承担的结构性功能往往为学界所不察。《丰乳肥臀》的结构框架与奏鸣曲式高度相似,通过主副两条线索多种形式的交织推动情节发展、变换叙述节奏,使文本整体具有音乐性特质。文本内部的马声、雷声等自然声和茂腔、哭泣声等人声分别发挥着故事幕布和美学风格承载体的艺术功能。曲式叙述结构与声音景观彼此配合,以双重叙述声音和驳杂复调重塑宏大历史叙事下被遮蔽的女性历史,以音景的对比再现与回环照应实现奏鸣曲式的节奏内化和旋律发展,从而表达作者的现代性之思,声音的价值指向最终得以浮现。Since the new century,Mo Yan’s novel reviews have often focused on the visual writing of Big Breasts and Wide Hips,while the auditory narrative and its structural functions are often overlooked by the academic community.The structural framework and sonata form of Big Breasts and Wide Hips are highly similar,promoting plot development and changing narrative rhythm through the interweaving of the main and auxiliary clues in various forms,making the overall text take on musical characteristics.The natural sounds such as the sound of horses and thunder within the text,as well as the human voices such as Maoqiang and crying,respectively play the artistic functions of the story curtain and aesthetic style carrier.The narrative structure and sound landscape of the sonata form complement each other,reshape the obscured female history under the grand historical narrative through dual narrative sound and complex polyphony.By comparing and reproducing the sound scene,the rhythm internalization and melody development of the sonata form are achieved,thereby expressing the thoughts of modernity,thus,the value orientation of auditory narrative ultimately emerges.

关 键 词：《丰乳肥臀》 莫言 曲式结构 声音景观 

分 类 号：I207.42[文学—中国文学]