秦腔戏曲服饰的符号性思考  

Thinking of the symbolism of Qin opera costumes

作　　者：徐鑫凤 陈彬 XU Xinfeng;CHEN Bin(Xi’an Polytechnic University,Xi’an 710048,China)

机构地区：[1]西安工程大学,陕西西安710048

出　　处：《染整技术》2024年第8期84-86,共3页Textile Dyeing and Finishing Journal

基　　金：2023年度陕西省社科基金“非遗视野下秦腔传统服饰挖掘与数字化保护研究”(2023J044)。

摘　　要：秦腔戏曲服饰的款式、色彩、图案纹样都属于符号,能够反映出戏曲人物的性格、社会地位、贫富差异、年龄、性格等。这些符号与人物塑造和舞台表演有着重要的关系,有助于观众更好地理解和感受人物的情感和内心世界,增强表演的感染力和表现力,体现了秦腔戏曲深刻内涵和独特魅力。The styles,colors and patterns of the costumes in Qin opera are symbols,which can reflect the characters'character,social status,wealth difference,age and character.These symbols have an important relationship with character shaping and stage performance,which helps the audience to better understand and feel the emotion and inner world of the characters,enhance the appeal and expressiveness of the performance,and embody the profound connotation and unique charm of Qin opera.

关 键 词：秦腔 戏曲服饰 符号性 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]